Inside the White Cub

Lucas Blalock

Included in this package is a 2020 calendar made by Lucas Blaock which features 14 new photographic works, every US holiday, saint day, and Blalock’s birthday. With each purchase of the calendar, comes a free book titled “Inside the White Cub”.
“Inside the White Cub” is an exaggerated and farcical gallery catalogue highlighting the impossibility of accurately reproducing art exhibitions in the printed form. Included in the catalogue is a miniature “pop up gallery” of Blalock’s exhibition at White Cube in London, superimposed images of his works at MoMa Ps1, as well as documentation of his work at Ramiken Crucible taken so far in perspective one can only see the edge of the frame.

ISBN: 978-0-9906448-4-2

Published in 2014
24 pages / 68 pages
Calendar / Soft cover, Staple-bound / Section sewn, both color offset
8 x 10 inches / 232mm x 168mm

​Published in conjunction with Ramiken Crucible​

Edition of 1000

SALE $10
$25 + shipping

Anthology of Time

with contributions by Alex Ayed, Davide Balula, Emma and Peggy Barnett, Sarah Braman, Candystore, Chen Chen & Kai Williams, Ashton Cooper, Sara French, Jashin Friedrich, S*an D. Henry-Smith, Dan Herschlein, Madeline Hollander, Liz Hopkins, Chrissie Iles, Jenna Kaës, Elizabeth Karp-Evans, Aidan Koch, Emma Kohlmann, Sahar Khoury, Dylan Krauss, Ajay Kurian, Keith Lafuente, Silke Lindner-Sutti, Maia Ruth Lee, Bonnie Lucas, Mary Manning, Tavi Meraud, Harry Moritz, Isaac Nichols, John Arthur Peetz, Nikholis Planck, Betty Roytburd, Vanessa Gully Santiago, Anna Sedlock-Reiner, Gedi Sibony, Mimi Smith, Amelia Stein, RJ Supa, Kristin Walsh, Clemence White,  and Zak Kitnik

The clock is a human-made tool to measure intervals of time shorter than the natural units: the day, the lunar month, the seasons, the year. Commonly marked in increments of one second, five minutes, one and twelve hours, the clock visualizes both the perpetual advancement and cyclical nature of time. 
 
The hands of the clock move only forward as time advances through a series of present moments. With each tick, time stammers towards a human-made idea of the future, leaving the past as a memory in its wake. 
 
Simultaneously, the hands of the clock move in a circular repeating motion, fixed by a center. This motion echoes the planets rotating around the sun, manifesting days, nights, and longer seasonal shifts. Because there is a natural cycle, we can predict the relative future with accuracy, and find unmistakable patterns throughout past personal and collective histories. 
 
The standardization—or rather, industrialization—of time started in 1884 with the International Meridian Conference to create a supposed facility between nations. The world was divided into 24 time zones with a politically chosen “base time” in Greenwich, UK. Coordinated Universal Time (UTC) is now synchronized around the world at midnight by means of GPS between government protected “Master Clocks” whose precision is based on the radiation given off by a cesium-133 atom. Before that, time was set in each municipality of the clock-using world by the daily local position of the sun at noon. With standardization, humans became in-synch with each other, and divorced from the natural world and our natural rhythms. “Noon” is now blocked into segments radiating out from colonial political powers, no longer the sun directly above your head.   
 
In this book you will find a variety of interpretations of time shared by 42 artists, compiled as an anthology to complement the exhibition Horology at Jack Hanley Gallery, on view from November 14th–December 15th, 2019.

Co-published by Peradam Press and Jack Hanley Gallery in 2019
Limited first edition of 250 copies
5.5 x 8 inches
134 pages
perfect bound
ISBN : 978-1-7320534-2-7

$11.11 + shipping

Flotsam Suite:

a strange & precarious life, or how we chronicled the little disasters & i won't leave the dance floor til it's out of my system

S*an D. Henry-Smith

In S*an’s words, Flotsam Suite: embraces the sadder and sometimes dramatic parts of life as an auto-fiction, a necessary tantrum, a playful dark-inside joke, and is “a constant return to music and letting myself be 17 again for the first time.” This collection of poems and color images is embraced by S*an’s extended practice of performance, poetry, and photography defining and experimenting within Black Secrecy and Black Noise, a method they’ve named, distorting and protecting an open secret, and the unquantifiables which radiate from the medium(s).

Flotsam Suite emerges from S*an’s meditations on the church, the club, emo, math rock, and noise shows, collapsing sermons and raves to see how they’re all similar — the illegible but articulated space for community. S*an emulates these sacred spaces to create in their own work a “safe space for us to scream, to be very quiet”. From their essay “Black Secrecy/Black Noise: NIC Kay and Visions of Performance” S*an describes the experience of watching a video of a young dancer dancing for his mother as being “transported to the Friday evenings of my [own] childhood: my two older sisters and my baby sister, waddling about learning her feet, would come home from school and work, move the couch and coffee table, crank the stereo, and we would dance and shake and scream in encouragement of our lucidities until we were breathless or until takeout arrived. Amber light— first UV, then the streetglow—cut through the window and bless the old soundsystem, blasting the radio mix of dancehall, Miami bass, house, and hip-hop fueling us for hours as we caught our sweat blessing.”


Flotsam Suite: is a collection of eight poems, a photo, and photogram lovingly printed by Jessica Peterson of The Southern Letterpress at Antenna’s Paper Machine in New Orleans, Louisiana.

To listen to the audio book and the songs that guided this chapbook, visit seanhenrysmith.com

Published by Peradam Press in 2019
Limited first edition of 150 copies
5 x 7 inches
28 pages
hand-sewn
digital print with 2 color images
ISBN : 978-0-9906448-9-7

$12 + shipping

Paintings of

Illustrations of

Women at Work

Maia Ruth Lee

Artists, illustrators or anyone in need of work-related graphics featuring women will find a treasury of well-painted illustrations in this handy archive. Updated and Revised second edition in three variations, red, brown and green.




Design by Maia Ruth Lee and Peradam
Published in 2019
7 x 10.5 inches
24 pages
Staple Bound

Second Edition
Edition of 225

color

Red $10.00 Brown $10.00 Green $10.00

+ shipping

Denude

Elizabeth Jaeger

To Denude is to strip (something) of its covering, possessions, or assets; to make bare.

The origins of the word Odalisque are oda (chamber) and lik (function). Chamber-function.

The drawings in Denude are altered reproductions of Reclining Nudes and Odalisques throughout Western Art History. Each has been reduced by the artist to its ubiquitous form: the horizontal curvaceous female torso. In Denude, Jaeger has assembled the drawings into a flip book of a twisting figure, flattening any spatial or temporal context.To complete this dance across the pages, the drawings are aligned by the belly button to the same spot on each page, with the same radius to the nipples and the crotch. Peradam’s first edition was printed single-sided with a soft cover in 2017. This second edition is hardcover clothbound, and organized double-sided so that if all the pages were transparent, the torsos would superimpose to make one form.

Published by Peradam 2018
8.8 x 9 inches
152 pages
74 color images
Hardcover, clothbound, linen with debossed leafed image
ISBN: 978-1-7320534-8-9
Edition of 350

$ 36 – plus shipping

Margaret van Eyck – Renaming an Institution, a Case Study (Volume Two: Comments, Contexts, and Connections)

Hagen Verleger, ed.

The publication Margaret van Eyck – Renaming an Institution, a Case Study (Volume Two: Comments, Contexts, and Connections), edited by book designer and researcher Hagen Verleger, is the second of a two-volume endeavour documenting Margaret van Eyck, an ongoing, collaborative research project at the intersection of feminist intervention, institutional critique, and the politics of (re-)naming, initiated by Verleger during a residency at Van Eyck, Maastricht.

The second of two books functions as a commentary on what is documented in the first one. It is what could be called a sourcebook, a collection of ‘readings’ and contextualisations of the project, containing a series of texts (academic papers, essays, conversations, and poems) that reference Margaret van Eyck in one way or another: from explicitly examining (even problematising) specific dynamics within the project to tangentially suggesting kindred ways of thinking in their own practice. With contributions by Afro Xylanthé, Alexandra Phillips, Dominique Hurth, Hagen Verleger, Katherine MacBride, Levi de Kleer, Luca Soudant, Madelon Hooykaas, Martino Morandi, Matylda Krzykowski, Mia Melvær, Nick Currie, Nina Glockner, Raewyn Martyn, and Sachi Miyachi.

The first book (ISBN 978-1-7320534-0-3), published in March 2018, is a primarily visual (i.e. pictorial) ‘essay’ and comprises of research material, work process ephemera, and photographic documentation of the project, as well as some shorter written pieces.

For more information, please visit : www.margaretvaneyck.nl
info@margaretvaneyck.nl
facebook.com/margaretvaneyckacademie
instagram.com/margaretvaneyckacademie

Edited and designed by Hagen Verleger
Published by Peradam Press, September 2018
4 ¼ × 7 inches
184 pages
Perfect bound softcover book
18 black-and-white illustrations
ISBN 978-1-7320534-1-0
Edition of 500

$ 15 – plus shipping

Margaret van Eyck – Renaming an Institution, a Case Study (Volume One: Research, Interventions, and Effects)

Hagen Verleger, ed.

The publication Margaret van Eyck – Renaming an Institution, a Case Study (Volume One: Research, Interventions, and Effects), edited by book designer and researcher Hagen Verleger, is the first of a two-volume endeavor documenting Margaret van Eyck, an ongoing, collaborative research project at the intersection of feminist intervention, institutional critique, and the politics of (re-)naming, initiated by Verleger during a residency at Van Eyck, Maastricht.

The first of two books is a 184-page primarily visual (i.e. pictorial) ‘essay’ in the tradition of 1960s/70s experimental paperbacks. It comprises of research material, work process ephemera, and photographic documentation of the project, as well as some shorter written pieces.

The second and final book will function as a commentary on the first one: a sourcebook, a collection of ‘readings’ and contextualisations of Margaret van Eyck, with references to the first volume. It is currently in the making and to be published by Peradam later this year.

For more information, please visit : www.margaretvaneyck.nl

Edited and designed by Hagen Verleger
Published March 2018
4 ¼ × 7 inches
184 pages
Perfect bound softcover book
46 color illustrations, 97 black-and-white illustrations
ISBN 978-1-7320534-0-3
Edition of 250

SOLD OUT

Drawings and Thirst Debris

Ann Greene Kelly

Ann's drawings often start with an isolated object, whatever she wants to draw: a figure, a bottle, a set of curtains. From there, the drawings are created by elaborating the world around this initial object. An expressive series of psychological and domestic tableaux emerge.

The collages in this book are assembled from the packaging of the tea and beer she consumes in her studio (Celestial Seasonings and Sierra Nevada). Both of these brands present their drinker with an image of peaceful escape through consumption. Ann’s collages introduce the two brands escapist worlds to her own process of world building. With an accumulated stockpile of beverage packaging, she is able to re-represent the idyllic landscapes and characters of the product labels in surprising new contexts: comic, subjective and ranging from the absurd to mundane

Published in 2017
9 x 12 inches
28 pages
Staple Bound
ISBN 978-0-9906448-5-9
Edition of 100

$15 + shipping

Paintings of

Illustrations of

Women at Work

Maia Ruth Lee

Artists, illustrators or anyone in need of work-related graphics featuring women will find a treasury of well-painted illustrations in this handy archive.




Design by Maia Ruth Lee and Peradam
First Edition
Published in 2017
7 x 10.5 inches
24 pages
Staple Bound


Edition of 200

SOLD OUT

Denude

Elizabeth Jaeger

74 organized color pencil on archival pigment print scans.


ISBN 978-0-9906448-8-0

First Edition
Published in 2017
8 x 9 inches
150 pages
Perfect bound


Edition of 200

SOLD OUT

Young Lady

Bonnie Lucas

"The thing is that - I did this. No one else is doing this, this is me, my story. And I'm in control of all this. And that's what makes it safe to me, and beautiful" - Bonnie Lucas in conversation with Elspeth Walker

ISBN 978-0-9906448-5-9

Text by Marie Catalano and interview with Elspeth Walker
Design by Marie Catalano
Published in 2017
7 x 9 inches
48 pages
Perfect Bound


Edition of 200

$12 + shipping

Proctor Silex

Nikholis Planck

"The collage is a sort of fulcrum for ideas and events that may happen or have, a presentation realized and recalled as a plan, an approach, provisional in nature."
-Excerpt by Bob Nickas, (cut up)

ISBN 978-0-9906448-3-5

Text by Bob Nickas
Design by Siniša Mačković
Published in 2016
8.27 × 11.69 inches
70 pages
Perfect Bound

Edition of 100

$20 + shipping

The Parallelogram Box

Aidan Koch

The Parallelogram Box opens. There are spaces, rooms, corridors. It is a place that is constantly changing, that is constantly being reinterpreted.

This zine collects a variety of short descriptive writing and drawings on interiors.



Published in 2016
5.5 x 8.5 inches
26 pages
Saddle stitched

Edition of 250

$10 + shipping

Ships in the Night

Elizabeth Jaeger

A romance novel and a flip book.

ISBN: 978-0-9906448-6-6

Published in 2016
4.25 x 6.75 inches
200 pages
Perfect bound

Edition of 150

$9.99 + shipping

Juwelia : Paintings

Juwelia Soraya / Stefan Stricker

“After all, the paintings aren’t supposed to pose riddles but to make you feel happy, and to transform the real world into something quite different, something new.” — Juwelia

ISBN 978–0–9906448–1–1

Design by Hagen Verleger
Published in 2016
7.28 x 9.45 inches (185 x 240 mm)
70 pages
Perfect bound

Edition of 1000

$20 + shipping

Scar Jo

A meditation on science fiction, stardom, and surface reading with text by Christine Smallwood and Mark Sussman and collages by Chris Santa Maria.

Published in 2015
6 x 7.75 inches
82 pages
Perfect bound

Edition of 100

In Touch

Ann Greene Kelly

In this limited edition artist's book, Ann Greene Kelly has altered the December "Holidays from Hell" issue of In Touch, blacking out everything but the hands using permanent marker and inserting in-process photographs of her own sculptures. In Touch explores the relationship between media culture, the printed image and the sensation of touch, highlighting the gestural and theatrical qualities of both celebrity and the sculptural act.

Ann Greene Kelly is a visual artist based in New York and Los Angeles.

Published in 2015
76 pages
Soft cover, stable bound, digital color
7.75 x 10.5 inches



Edition of 30

Impressions

Aidan Koch

Impressions is Aidan Koch’s third graphic novel. It tells the story of a young figure model and her relationships with her mother, her best friend, and the man drawing her. Set in an ambiguously modern time, the book captures a young woman’s reluctant journey into self-awareness.

Impressions was painted over three months at the Maison Des Auteurs residency in rural France, where Koch spent the spring of 2014.

Aidan is a visual artist and storyteller based in New York.


ISBN: 978-0-9906448-2-8

Published in 2014
72 pages
Soft cover, section sewn, color offset
8.25 x 6 inches


Edition of 1000

SOLD OUT

Inside the White Cub

Lucas Blalock

Included in this package is a 2020 calendar made by Lucas Blaock which features 14 new photographic works, every US holiday, saint day, and Blalock’s birthday. With each purchase of the calendar, comes a free book titled “Inside the White Cub”.
“Inside the White Cub” is an exaggerated and farcical gallery catalogue highlighting the impossibility of accurately reproducing art exhibitions in the printed form. Included in the catalogue is a miniature “pop up gallery” of Blalock’s exhibition at White Cube in London, superimposed images of his works at MoMa Ps1, as well as documentation of his work at Ramiken Crucible taken so far in perspective one can only see the edge of the frame.

ISBN: 978-0-9906448-4-2

Published in 2014
24 pages / 68 pages
Calendar / Soft cover, Staple-bound / Section sewn, both color offset
8 x 10 inches / 232mm x 168mm

​Published in conjunction with Ramiken Crucible​

Edition of 1000

SALE $10
$25 + shipping

First Impresssions of Greece

Mary Manning

Mary Manning’s debut book,
First Impressions of Greece documents recent travels through the Grecian landscape.

Mary Manning is a photographer based in New York City. She runs the website Unchanging Window.

ISBN: 978-0-9906448-0-4

Design by Joe Gilmore
Published in 2014
48 pages
Hard cover, section sewn, color offset
7.5 x 5 inches
Edition of 1000

$22 + shipping

Nuit et Jour, Jour et Nuit
Bulletin annuel 2014

/Night & Day, Day & Night
2014 Calendar

Viele Stuck

A diary based on the “real” time of the day according to the movements of the sun. Bulletin annuel 2014 is a publication by Sophie Châtellier, Johanna Himmelsbach, Jenna Kaës and Sofia Proisy Lesnik. The text is composed in Barmeno regular. Special Thanks to the Observatory of Paris for the exact times of the sunrises and sunsets, solar middays and midnights in Paris for the year 2014


4.4 x 7.4 inches
144 pages

WINDOW

Alexis Penney

Window is Alexis’s first full length novel, in the form of a true-life vignetted memoir. Accompanied by photos from his voluminous archive, these stories are a full, and blurry, portrait of searching for “true love” in a multitude of disposable romances.

ISBN: 978-0-9854047-7-2

Published in 2013
6 x 9 inches
223 pages + 43 color images
Edition of 500

PAGES

Linda Simpson

In her debut photo book, drag queen documentarian Linda Simpson pays heartfelt homage to her captivating transgender friend Page. Set in the bygone gritty New York of the 1990s, the snapshots recall the mysterious beauty, outlandish sense of style, and provocative performances that made Page a cult figure of downtown’s gender-bending nightlife.

ISBN: 978-0-9854047-5-8

Published in 2013
7 x 10 inches
60 pages / 30 color photographs
Edition of 1000

$20 + shipping

Because Nothing Ends

Amanda Friedman

Because Nothing Ends is a double sided flip book consisting of uncut footage taken at Rockaway Beach in June 2013. In the pages, Friedman’s painting “Thought-form: Good Luck II” flies into the sky and dies out at sea. She did her best to collect all of the paper and pigment from the waves.

ISBN: 978-0-9854047-0-3

Published in 2013
3 x 5.3 inches
180 pages + color cover
Edition of 500

SHANKS

Chen Chen & Kai Williams

32 swiveling cards that document the 30 shanks Chen Chen & Kai Williams manufactured over a period of 30 days out of objects found in their studio.

ISBN: 978-0-9854047-8-9

Published in 2013
2ND EDITION
3 x 7.5 inches
978-0-9854047-8-9
32 cards + Black and foiled wrap cover



Edition of 1000

W0M3N ED1T10N

Luisa Opalesky

Luisa Opalesky has been cataloging vanity license plates for the last 5 years. W0M3N ED1T10N is the first in a series of books that showcase specific selections from her image archive.



Published in 2013
10 x 10 inches
60 pages

Edition of 100

Twenty - Six Venetian Bridge Views

Sam Finn

Twenty-Six Venetian Bridge Views consists of twenty-six Venetian bridge views taken over the course of one day on one roll of film in June of 2013.



Published in 2013
10 x 10 inches
58 pages

Edition of 100

SOLD OUT

Elaine Cameron-Weir

Published in conjuction with
White Flag Library

A limited edition book of selected excerpts from Elaine Cameron-Weir's notebooks

ISBN: 978-0-9854047-6-5

Published in 2013
5.25 x 8.25 inches
52 pages

Edition of 100
Numbered and signed

Les Plantes Fantomes

Viele Stuck

Les Plantes Fantomes is a weekly planner made by the French design group Viele Stuck. In addition to taking care of your organizational needs, Viele Stuck asked several artists to contribute responses to the topic "phantom plants." The result is dynamic calendar system filled with original art and poetic text. Viele Stuck is Jenna Kaês, Sophie Chatellier, Johanna Himmelsbach, and Julien Raout.

ISBN: 978-2-7466-5444-0

Published in 2012
BILINGUAL (French/English)
5 x 7 inches - 246 pages
Printed in London, Risograph.

Edition of 250

Painter's Journal

Joshua Abelow

Painter’s Journal is made up of six journals that chronicle Joshua Abelow’s first year living in New York, in the late 90s.

ISBN: 978-0-615-62548-5

Published in 2012
6 x 9 inches
112 pages
Offset

Edition of 1000

Pøems

Nick DeMarco

Pøems by Nick DeMarco, is a series of visual poems composed using the abstract formal qualities of typography and glyphs. The phrases and stanzas in this collection are visceral, communicating without language.

ISBN: 978-0-9854047-2-7

Published in 2012
5 x 7 inches
20 pages

Edition of ∞

SOLD OUT

Twelve Saints

Chris Lux & William Rockwell

Twelve Saints, by Chris Lux and William Rockwell is a collection of paintings and fiction inspired by The Golden Legend of Jacobus de Voragine. Compiled in Latin in the mid thirteenth century, de Voragine's hagiographic tome was soon translated into every major European language. In 1483 it became one of the first works to be printed in the English language. Chris Lux is a San Francisco based visual artist. William Rockwell is a San Francisco based writer.

ISBN: 978-0-9854047-1-0

Published in 2012
9 x 11 inches inches
50 pages
Risograph

Edition of 100

Avalon

Jessica Calvanico

Avalon by Jessica Calvanico, is the once and future; a clandestine and pervasive language which illuminates a familiar horizon, imbued with potential and possibility.

Aeron

Sarah Sieradzki

Aeron is a book of poetry by Sarah Sieradzki - describing a space of hyperreality; text that freely plays across time into the past, present, and future.

ISBN: 978-0-9854047-3-4

Published in 2012
8 x 10 inches
50 pages

Edition of 30