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Paintings of
Illustrations of
Women at Work

Maia Ruth Lee

Design by Maia Ruth Lee
and Peradam Press
Published in 2019
7 x 10.5 inches
24 pages
Staple Bound

Second Edition of 225
Artists, illustrators or anyone in need of work-related graphics featuring women will find a treasury of well-painted illustrations in this handy archive. Updated and Revised second edition in three variations, red, brown and green.


Linda Simpson

Published in 2013
7 x 10 inches
60 pages / 30 color photographs
ISBN: 978-0-9854047-5-8

Edition of 1000
( only 10 left! )
In her debut photo book, drag queen documentarian Linda Simpson pays heartfelt homage to her captivating transgender friend Page. Set in the bygone gritty New York of the 1990s, the snapshots recall the mysterious beauty, outlandish sense of style, and provocative performances that made Page a cult figure of downtown’s gender-bending nightlife.

Anthology of Time

with contributions by:

Alex Ayed, Davide Balula, Emma and Peggy Barnett, Sarah Braman, Candystore, Chen Chen & Kai Williams, Ashton Cooper, Sara French, Jashin Friedrich, S*an D. Henry-Smith, Dan Herschlein, Madeline Hollander, Liz Hopkins, Chrissie Iles, Jenna Kaës, Elizabeth Karp-Evans, Aidan Koch, Emma Kohlmann, Sahar Khoury, Dylan Kraus, Ajay Kurian, Keith Lafuente, Silke Lindner-Sutti, Maia Ruth Lee, Bonnie Lucas, Mary Manning, Tavi Meraud, Harry Moritz, Isaac Nichols, John Arthur Peetz, Nikholis Planck, Betty Roytburd, Vanessa Gully Santiago, Anna Sedlock-Reiner, Gedi Sibony, Mimi Smith, Amelia Stein, RJ Supa, Kristin Walsh, Clemence White,  and Zak Kitnik

Co-published by
Peradam Press and
Jack Hanley Gallery in 2019
5.5 x 8 inches
134 pages
perfect bound
ISBN : 978-1-7320534-2-7

Edition of 250 copies

The clock is a human-made tool to measure intervals of time shorter than the natural units: the day, the lunar month, the seasons, the year. Commonly marked in increments of one second, five minutes, one and twelve hours, the clock visualizes both the perpetual advancement and cyclical nature of time.

The hands of the clock move only forward as time advances through a series of present moments. With each tick, time stammers towards a human-made idea of the future, leaving the past as a memory in its wake.

Simultaneously, the hands of the clock move in a circular repeating motion, fixed by a center. This motion echoes the planets rotating around the sun, manifesting days, nights, and longer seasonal shifts. Because there is a natural cycle, we can predict the relative future with accuracy, and find unmistakable patterns throughout past personal and collective histories.

The standardization—or rather, industrialization—of time started in 1884 with the International Meridian Conference to create a supposed facility between nations. The world was divided into 24 time zones with a politically chosen “base time” in Greenwich, UK. Coordinated Universal Time (UTC) is now synchronized around the world at midnight by means of GPS between government protected “Master Clocks” whose precision is based on the radiation given off by a cesium-133 atom. Before that, time was set in each municipality of the clock-using world by the daily local position of the sun at noon. With standardization, humans became in-synch with each other, and divorced from the natural world and our natural rhythms. “Noon” is now blocked into segments radiating out from colonial political powers, no longer the sun directly above your head.  

In this book you will find a variety of interpretations of time shared by 42 artists, compiled as an anthology to complement the exhibition Horology at Jack Hanley Gallery, on view from November 14th–December 15th, 2019.

Young Lady

Bonnie Lucas


Text by Marie Catalano and interview with Elspeth Walker
Design by Marie Catalano
Published in 2017
7 x 9 inches
48 pages
Perfect Bound
ISBN 978-0-9906448-5-9

Edition of 200
"The thing is that - I did this. No one else is doing this, this is me, my story. And I'm in control of all this. And that's what makes it safe to me, and beautiful"
- Bonnie Lucas in conversation with Elspeth Walker

Margaret van Eyck – Renaming an Institution, a Case Study (Volume One: Research, Interventions, and Effects)

Hagen Verleger, ed.

Edited and designed by Hagen Verleger
Published March 2018
4 ¼ × 7 inches
184 pages
Perfect bound softcover book
46 color illustrations, 97 black-and-white illustrations

Edition of 250

ISBN 978-1-7320534-0-3
The publication Margaret van Eyck – Renaming an Institution, a Case Study (Volume One: Research, Interventions, and Effects), edited by book designer and researcher Hagen Verleger, is the first of a two-volume endeavor documenting Margaret van Eyck, an ongoing, collaborative research project at the intersection of feminist intervention, institutional critique, and the politics of (re-)naming, initiated by Verleger during a residency at Van Eyck, Maastricht.

The first of two books is a 184-page primarily visual (i.e. pictorial) ‘essay’ in the tradition of 1960s/70s experimental paperbacks. It comprises of research material, work process ephemera, and photographic documentation of the project, as well as some shorter written pieces.

The second and final book will function as a commentary on the first one: a sourcebook, a collection of ‘readings’ and contextualisations of Margaret van Eyck, with references to the first volume. It is currently in the making and to be published by Peradam later this year.

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